Books
  • Requiem for the Orchard
    Requiem for the Orchard
  • Furious Lullaby (Crab Orchard Series in Poetry)
    Furious Lullaby (Crab Orchard Series in Poetry)
  • Names Above Houses (Crab Orchard Series in Poetry)
    Names Above Houses (Crab Orchard Series in Poetry)

Anthologies

Oliver's work can also be found in the following anthologies.

  • Tilting the Continent: Southeast Asian American Writing
    Tilting the Continent: Southeast Asian American Writing
  • Asian American Poetry: The Next Generation
    Asian American Poetry: The Next Generation
  • Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond
    Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond
  • From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great
    From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great
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Online Poetry Journals

Oliver de la Paz’s Requiem for the Orchard is a love letter to memory and its ability to both sustain and shatter us beyond the “dust of ourselves,/ cold, decisive, and purely from the earth.” de la Paz renders in beautiful and exacting language the tenderness and ferocity of boyhood, alongside the enduring vulnerability of parenthood.  Out of such intimate recollection a generous wisdom blossoms.   

—Jon Pineda, author of
The Translator’s Diary

Congratulations to Hossannah Asuncion!

Kundiman Fellow, Hossannah Asuncion was selected as a winner of a PSA Chapbook Fellowship for her chapbook Fragments of Loss!

Congratulations, Hoss!

 

Quick Bit

My class is coming up, so just a quick note:


Meredith and I are trying to get the toddler to sleep in his own bed. The evening was quite comical, involving craning my neck to listen closely through the static of a baby monitor, running into said toddler in the middle of the night wandering the hallways, sleeping in a tiny bed, sleeping on the floor, sleeping on the floor holding the toddler's hands, holding the three-month-old while Meredith put the toddler to bed . . .

Parents, don't co-sleep. Ever.

***

I am tired and delirious.

***

Dog Days, commissioned work, Inception, etc..

My folks stopped by yesterday because they wanted to get a look at our yard. There's not much to look at. It's just an old dusty patch of dirt where once was a tangled mass of trees and weeds. It's almost lawn-ready, but we're holding off until near fall, when we won't need to water.

In the meantime, I've got a full slate of projects. I've got to repaint our weathered and worn deck before my kid gets big splinters. I've got to frame out some stairs for the side yard. I've got to prune some hedges. Oh, home ownership, why are you so hard?

***

I was recently asked to contribute work for a special section in a journal. I'm usually quite good at responding to personal prompts, but I've always had trouble when responding to prompts from someone else. Anyway, the poem got written, but it was a struggle. How about you? Do you respond well to writing prompts? What's strange is that's all I give my students--I make them write in response to a prompt.

***

I "secretly" saw Inception. (Meredith's not supposed to know that I went to a movie without her. SHhhhhhH!)  I think Christopher Nolan is an interesting director . . . one of my favorites. And he seems really interested in how memory shapes his characters--drives their ambitions, their rages, their dreams. I'd argue even the Batman movies he's filmed deal with this subject. I may have to see Inception again . . .

***

The etc. is this: Current Spin:

 

 

What's on YOUR bedside table?

Just curious. This is my bedside table. I've got stacks of books, but you'll notice no poetry books. There's a simple reason for this . . . I can't read poetry before bedtime. It requires far too much concentration. All my poetry books are split between my office at work and my home office.

I've got a lot of fiction on the table because I tend to read fiction during the summer (the only time I really have any sustained amount of time for reading).

Also note the sippy cup. I'm still co-sleeping with the two-year-old. Parents with new babies, don't do this.

The ear plugs are a need. I started the habit in college and now I can't sleep without 'em. (If you must know, I had a roommate who snored heavily . . . now I wake up at the slightest sound.)

The "line" journal is something I always carry when I read something. I jot down lines, words, sentences, sometimes paragraphs that strike me. This particular line journal has multi-colored pages and a few drawings and mementos from a trip to Spain and Morrocco a few years ago.

**ADDENDUM: Under the sippy cup is the children's book, Ollie, by Olivier Dunbar. And the book mark under Benjamin Percy's book is from Changing Hands Bookstore in Arizona (where a large portion of my library was created).

Please also note the wall. Before, that wall was a wood panelled one. I did the drywall job and I'm quite proud of the work.

So . . . what's on your bedside table?

M.I.A.'s new album, artistic expectations, stuff I'm reading, and getting ready.

First, let me start by saying that I like M.I.A. a lot, but her recent album, /\/\/\Y/\ (or MAYA) is getting some mixed reviews (click on the link--Pitchfork kills it).Paste gives it a "commendable" rating and Pop Matters gives it a "Satisfactory." Rolling Stone, however, gives it four stars.

I've listened to it a few times. Do I like it? I'm not sure, but I know this--she's experimenting with her genre and her aesthetic, and for that I commend her. I think even the folks at Pitchfork acknowledge where M.I.A. is in her career when they say "It's not exactly a surprise that M.I.A. would opt to create such an off-putting and anti-pop album at this point in her career. She may be reaching for an interesting and provocative style . . ."

Still, they're calling the album a "misstep." Myself, I don't think it's a misstep, but rather a natural movement whose modus infuses politics with hypnotic beats. Now that she has an audience, perhaps she's seeing how far they will go with her into her aesthetic space.

Of course, I draw analogies to the growth of an author--the changes that SHOULD occur in their aesthetics over time, or the ways in which they SHOULD wish to challenge both themselves and their audiences. I like M.I.A.'s lack of compromise. She did NOT want to make a "pop" album, and it shows. Rather, we get a mash of heavy and aggressive metal/industrial/electronica with a Reggaeton/hip-hop back beat that's a bit sped up. All of it is tonally in your face which, to my mind, is a brilliantly daring challenge to purported "fans" who liked her "Paper Planes" song but merely liked it for its catchy beat.

***

Speaking of challenging one's aesthetics, I've been reading a lot of short stories lately. I just finished Anthony Doerr's title story of his new collection, Memory Wall, and it was a good one. I'm surprised by both his economy and how he can so cover so much territory in very few pages. The secrets of the past, memory, and the night time initially confuse, but as you stick with it, the payoff of the story is grand. I had trouble sleeping after I finished the story because I kept thinking about his style and how I want to be Anthony Doerr when I grow up.

***

I have one week left before the end of my summer class and I'm so ready to have a break. I've mentioned this before, but I have two projects that I want to finish this year and one that I want to revive. I plan on applying for sabbatical for next year, so it's important for me to get started on these manuscripts. Every August I try to write a poem a day. I intend to perform the same exercise this year. I can't wait.

***

Current Spin:

Bet you thought it would be M.I.A. Nope.

 

Aimee Nezhukumatathil Mention:Shouting out the Shout Out

Holler to Aimee for talking about Kundiman on the Ploughshares Blog.

Slight Griefs and Cherries

First, the cherries:

These are Rainier Cherries and they're very ripe. L kept begging for some, but he only liked squeezing out the pits.

***

Thanks to all who wrote words of sympathy here, on Twitter, and on Facebook. Jake was old . . . roughly fourteen years old.

A little about him so that you know what kind of a fellow he was . . . Meredith adopted him when he was six after having passed through a few owners who couldn't handle him. His first owner passed away while Jake was in his care and he was trapped in the house with his dead owner for three days. I think he was traumatized a bit from the experience.

When Meredith adopted him, he was grossly overweight, weighing about 95 pounds. Male German Shorthair Pointers should weigh between 55 and 70 pounds. So we ran him. We ran him a lot. When we lived in Upstate NY, there were several parks where we'd take him off lead. He loved to swim, too, so we took every opportunity to take him to a lake or a reservoir.

After we bought our house in Washington, he had about 7 acres . . . all his. So, he had a good life. He'd wander into an occasional skunk, dig up the occasional bone, and go through the occasional garbage can, but on the whole his bark was worse than his bite (he never bit anyone).

Before we had our first son, we were worried that the dog would have problems with his new status. Of course, our concerns were unfounded.

We've told our son that his dog has passed away, even though our son is only a toddler and probably doesn't understand such things. I sure don't.

There are times at night when it's so quiet in the spaces where he once slept. And the quietest places are often, strangely, the loudest sounds.

I did have a dream about him the other night. His fur was wet, as if he had been swimming, and he was running like he always did, a few yards ahead. In life, he always made sure to come back, but in the dream he kept running.

***

Farewell, Jake.

Just found out that Meredith had to put Jake down. Oh, Jake. You were a good dog.

Jake:  1996-2010

 

ODE TO DOGS by Michael Meyerhofer

 

I am tired of hearing about dogs

used as metaphors for the uncivilized.

Imagine a world in which humans

 

possessed at least twenty times

as many olfactory receptors,

able to distinguish the tang of cancer

 

rising musk-like from the bedsheets

next to a smoldering ash tray,

able to detect that one drop of blood

 

in every five quarts of water,

to know what you did last night

no matter how many times

 

you soap-scrubbed the evidence.

It does not take savagery

but more love than we can muster

 

to lick the hand you've sniffed,

to love despite the perfume of sins

we wear each day like a halo.